The Piano

A few days ago I had the pleasure of watching Jane Campion's The Piano in class. It's not the kind of movie that I normally watch, being more of the action frame-of-mind, but I very much enjoyed watching this gem of a film. Ada McGrath(Holly Hunter) is a mute woman in 1850s Britain who is sent off to savage New Zealand along with her daughter Flora(Anna Paquin), as a mail-order bride to a land-owner there, Stewart played by Sam Neill. Once there, her new husband, in a bid to increase his land holdings, trades Ada's most prized possession, her piano, to his neighbor, Baines(Harvey Keitel). Ada is naturally upset, but when visiting Baines in order to give him lessons on how to play his new piano, he makes her an offer: sexual favors for the return of her piano.
The Piano is a success on many different levels. Jane Campion, the writer and director of the film, crafted one of the rare films that works as both an accessible story, as well as a layered, meaningful work of art and literature. Watching the film once will be entertaining merely for the well written story, but watch it again and you will see the layers that it has. Jane Campion began her college life with art school. Once there, she realized that she was trying to tell stories with her artwork and that film school would be a better fit for her. With that background in the arts, Campion has a special way of placing the scene in front of the camera(what film students call mise-en-scene) that creates an artistic image to be interpreted by the viewer. The film is a joy to watch because the placement of the scene and of the camera has meaning and beauty all of its own. The story that Campion wrote also is many-layered, portraying gender issues of the nineteenth century, family relationships, and exchanges of power. Many of Campion's films include a tactile quality to them, emphasizing the sense of touch and what it means. Some of the most powerful emotions in The Piano are conveyed by the feel of a piano key.
The writing and direction were not the only good qualities of this film. The acting done by Holly Hunter as the mute Ada is some of the best I have ever seen. Jane Campion, when she made this film, wanted her heroine to have a piercing gaze that seemed to reach down into one's soul. I don't know how Holly Hunter managed to pull that one off, but she did. Though her character is mute, she portrays more emotion in the performance without a single word than ninety percent of actors more well known. Holly Hunter really carries this film with her perfect emotionality. Harvey Keitel also does an above-average job as the at-first lecherous, later not so much Baines.
Overall, The Piano is a film that I would give both of my thumbs-up to, as well as a recommendation to anyone I know.

-J